Forgotten and Living Houses: Villa de Seppi & Rižnar’s House, Hrastnik, Slovenia

Villa de Seppi & Rižnar’s House

Sometimes puppets take me to places I didn’t plan to visit.
And sometimes, even in a small country like Slovenia, you realise how much you still don’t know.

A puppet show in Zagorje ob Savi.
Early morning. No coffee yet.
Wonderful audience.
That quiet joy of performing before the day fully wakes up.

Live puppet theatre performance by Gledališče Makarenko for children in Zagorje ob Savi, Slovenia.
Puppet show before morning coffee in Zagorje ob Savi.

After the show, my colleague and I do what puppeteers always do.
We look for coffee.
And accidentally, for heritage.

We drive toward Hrastnik.
On the right: a modern glass factory.
On the left: a small castle.
Beauty and the Beast.
Industry and elegance.

Wait.
Is that… Miramare?
In Slovenia?

Do you mind if we stop for a minute?
Of course not.

Villa de Seppi
A side glimpse of Villa de Seppi—where bourgeois memory meets architectural elegance.

Villa de Seppi

Villa de Seppi is not a house museum.
It’s not open.
Not to the public.
Not to anyone.

Abandoned.
Quiet.
Slowly decaying.

How is this possible?
How can a historic house like this simply be left waiting?

No museum.
No residency.
No cultural centre.
Not even a private home for a millionaire.

Just silence.

Too decorated?
Too beautiful?
Too demanding for quick solutions?

Frontal view of Villa de Seppi in Hrastnik, a former elite residence now explored through contemporary heritage lenses.
Villa de Seppi in full view – a façade layered with time and stories.

Built at the end of the 19th century for the industrialist de Seppi family, the villa once spoke of confidence, progress, ambition.
Today, it speaks a different language.
Neglect.
And hope.

Named after Emma de Seppi, the woman who dreamed it into existence.
Built by Leonard Fantennutti.
Supervised by Anton Melan, an architect from Trieste.
And inside —
walls painted in calm, classical tones
by Eduard Lebiedzki, a Viennese painter
who knew how to make elegance feel permanent.

Architectural detail of Villa de Seppi’s weathered facade, showing signs of decay yet preserving its timeless elegance.
Elegance fades slowly—Villa de Seppi wears its cracks like memories.

We walk around the ruins.
Peeling paint.
Fragments of ornament.
Traces of life.

I try a trick I first tested at the Pocar Homestead.
I press my phone against the glass.

And suddenly — the house opens.
A virtual visit.
Painted ceilings.
Ornamental walls.
A glimpse of former splendour.

View through the window into a historic house interior with wooden table, antique cabinet, and textured walls bearing traces of history.
A virtual visit—through the window, where objects and walls still whisper stories.

Later I read that the municipality has finally bought the villa.
Renovation plans.
Good news.

Just one wish:
Please don’t over-renovate it.
Don’t erase all the scars.
They matter.

Historic architectural ornaments from Villa de Seppi lying atop a modern grit container, symbolising neglected heritage.
What once crowned a villa now rests on a salt container. Heritage deserves better.

Rižnar’s House

We get back in the car.
Leave the beauty behind.
Still searching for coffee.

And then — another brown sign.
Those signs always mean something.

Rižnar’s House.

What is this, Christmas?
Two houses.
Without even looking for them.

This is a different story.

No villa.
No aristocracy.
Just a large, solid rural house by the river.

Rižnar’s House
Traditional Rižnar’s House standing beside the river in Hrastnik, Slovenia.

Built in 1790.
Once an inn.
A resting place for river workers.

They were called vlačugarji
men who pulled boats upstream along the Sava River.
No aristocrats.
Hard-working people.

The house is a protected monument of local importance.
Still inhabited.
Officially, only exterior visits allowed.

Main entrance of Rižnar’s House with a small green garden in front, Hrastnik, Slovenia.
A quiet entrance, a lived-in garden—echoes of daily life preserved in Rižnar’s House.

We step closer.
A woman waves at us.
She invites us in.

She’s 92 years old.
She’s lived here since the 1960s.
And she’s genuinely happy we came.

Inside, nothing is staged.
No labels.
No vitrines.

Elderly woman standing beside a table in Rižnar’s House, beneath a 300-year-old ceiling.
92 years of memory beneath 300 years of wood.

Furniture from different decades.
Family photographs on the walls.
A stove newer than the ones used 300 years ago.

But the house…
The house is still here.

Floors.
Ceilings.
Walls.

History, breathing.

She shows us the black kitchen.
Huge.
The largest I’ve ever seen in a house like this.

Of course.
It used to be an inn.

Today, it’s storage.
A bit messy.
A bit dusty.

But untouched.

Black smoke on the ceiling.
The hearth.
The structure.

Perfectly preserved.

Darkened walls of a historic black kitchen with visible smoke traces in Rižnar’s House.
Where there’s smoke, there’s memory.

And suddenly, it’s clear.

This woman — once a worker in the Hrastnik Glass Factory
is an incredible conservator.

Without a diploma.
Without a professional title.

She didn’t “restore” the house.
She lived with it.

Final thought

Villa de Seppi waits.
Rižnar’s House lives.

One is forgotten.
The other is alive.

And both tell us something important about heritage.

Sometimes preservation is about funding, projects, and plans.
And sometimes it’s about care, continuity, and respect.

No museum opening hours required.

Soundtrack: U2 – Ultraviolet (Light My Way)

Because sometimes heritage doesn’t shout.
Sometimes it waits.
Or quietly lives on.

And sometimes all you need
is to slow down,
search for that coffee,
take a wrong turn,
and let heritage — forgotten or lived in —
light your way.

More Information on Villa de Seppi & Rižnar’s House, Hrastnik, Slovenia

Official website: No official websites for these two beauties. Maybe that’s the best part — they’re meant for nerds, not tourists.

Photos: Matjaž Koman / House Museum Nerd
Text: Matjaž Koman / House Museum Nerd

This post is part of the Ultimate House Museum Guide for Nerds – a personal project exploring the beauty, strangeness and magic of house museums around the world.