When Contemporary Art Enters a House Museum: Andrej Jemec in Čop’s Birth House

Andrej Jemec’s exhibition in Čop’s Birth House shows how contemporary art can live inside a historic house museum in Slovenia.


This post isn’t really about Čop’s Birth House.
You can read about it here.
No — this one is about something else.
About colour, rhythm, and how heritage sometimes breathes through art.

Painted glass plate by Andrej Jemec displayed in Čop’s Birth House exhibition
Light passing through a painted glass plate by Andrej Jemec, turning technique into quiet beauty

We recently opened the exhibition “The Language of Colour / The Speech of Images” in Čop’s Birth House — a collaboration with Andrej Jemec, one of Slovenia’s leading abstract painters.
Yes, he’s from the next village over.
A neighbour.
But also a world citizen — exhibiting from Tokyo to New York, from the Venice Biennale to MoMA and Tate.

And yet, he said yes when we invited him to show his works in a tiny historic house.
No fancy museum, no white cube.
Just Čop’s Birth House — rooms filled with books, memories, and the quiet spirit of the 19th century.

We didn’t want a big, spectacular exhibition.
We wanted a dialogue — between Jemec’s abstract forms and Čop’s linguistic world.
Between past and present.
Between colour and language.

Jemec’s graphic works from the 1960s, 70s, and 90s — some award-winning in Tokyo and Venice — were joined by his ceramic and glass pieces, shimmering like visual poems.
In Čop’s memorial room, we placed a painting titled To the Poet (1990).
The face on the canvas, almost by coincidence, resembles Matija Čop himself — a poetic loop between centuries.

The ceramics displayed in the Ajdna Room are no coincidence either.
Archaeologists found pottery from the 5th century on Ajdna Hill above Žirovnica — a reminder that form, clay, and creativity have always lived here.
The connection between ancient hands and Jemec’s brush is more than symbolic.
It’s alive.

Painted ceramic work by Andrej Jemec exhibited in the Ajdna Room of Čop’s Birth House
Painted ceramics by Andrej Jemec displayed in the Ajdna Room of Čop’s Birth House

Why so many graphics?
Because Matija Čop loved books, letters, languages.
Printed thoughts.
And Jemec, in his own way, paints what words can’t say.
Where Čop collected meaning through text, Jemec finds it in colour.

Award-winning graphic print by Andrej Jemec from 1964 exhibited in Čop’s Birth House
An award-winning graphic print by Andrej Jemec from 1964, recognised internationally, including in Japan

Žirovnica is small.
We don’t have an art museum.
But we do have houses — full of stories. Prešeren’s Birth House, Finžgar’s Birth House etc.
And we believe that heritage isn’t just about great names from the past.
It’s also about giving space to living artists, those who keep asking questions, searching for new forms of expression.

There’s also a beautiful continuity here.
Another native of Žirovnica, Zoran Kržišnik, was the legendary director of the Moderna galerija in Ljubljana.
He led the Ljubljana Graphic School and brought Slovenian art onto the global stage — from Tokyo to London.
Among his artists? Andrej Jemec.

So this exhibition isn’t only about one artist.
It’s about a lineage — of openness, curiosity, and artistic innovation.
A reminder that art, like heritage, never truly stands still.

Andrej Jemec in Čop’s Birth House with his colourful painting in the background
Andrej Jemec in profile, quietly sharing space with his painting inside Čop’s Birth House

As they say, a picture speaks a thousand words —
and perhaps a video speaks even more.
So we made a short film, a simple documentary about this collaboration:
a house, an artist, and the ongoing conversation between memory and creation.

And for you, my fellow house museum nerds — the film takes you one step further.
We visit Andrej Jemec’s home.
He walks us through his studio, shows us his personal collection,
and shares a quiet conversation at his kitchen table.
A rare glimpse into the everyday life of an artist whose colours still speak the language of our landscape.

Because the past is not a closed book.
Sometimes, it’s a living layer —
waiting for a brushstroke to wake it up again.

Painting “Vrba” by Andrej Jemec from 2006 exhibited in Čop’s Birth House
Andrej Jemec, Vrba (2006) — colour, letters and place intertwined

Soundtrack: Ryuichi Sakamoto – Energy Flow

Because sometimes, heritage doesn’t speak in words —
it breathes in colour, rhythm, and quiet energy.

More Information about the exhibition in Čop’s Birth House “The Language of Colour / The Speech of Images”

Official website: Čopova rojstna hiša – Čop’s Birth House \ Andrej Jemec’s The Language of Colour / The Speech of Images \ Andrej Jemec

Photos: Aleš Košir
Text: Matjaž Koman / House Museum Nerd

This post is part of the Ultimate House Museum Guide for Nerds – a personal project exploring the beauty, strangeness and magic of house museums around the world.